Andrew Macara studied contemporary British modern art for a brief period under Leonard Fuller at the St Ives School of Painting, among the Cornwall Art Galleries. However, he considers himself predominantly a self-taught artist. In 1984, he was elected to the New English Art Club, and today he is regarded as one of the most distinctive voices in contemporary British art. Recognized for his highly collectible works, his paintings have consistently proven to be a sound investment in British art.

Macara travels extensively, gathering inspiration and imagery for his paintings from around the world. Despite this, his native Derbyshire remains a constant muse, particularly in his celebrated winter scenes. Another area of strong demand for his work are his British seaside paintings. Recently, Macara has explored a new subject matter: reflections, which has led him to experiment with a more abstracted style of painting.

Ken Howard, RA RWS RWA, writes:
“I have known and admired the work of Andrew Macara for many years, both through his numerous one-man exhibitions and his frequent contributions to the Royal Academy Summer Exhibition. Though he has painted many different subjects over the years, the subject itself is always secondary to light. His pictures glow. Like the best paintings of light, they do not merely describe it; they embody it. The light emanates from the canvas itself. Macara’s work is not only filled with light, but also full of life—whether depicting the energy of a beach, the vibrancy of a playground, or the activity of a zoo. He simplifies his subjects, but always captures their essence. His paintings are brimming with movement, atmosphere, and space. Andrew’s work is deservedly popular because it touches upon the simple joys of everyday life. His paintings celebrate life and reveal a new way of seeing the world. This is the essence of true art.”

The late William Gear, RA, adds:
“This artist has developed his own unique way of using color to describe perspective.”